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“Folk is music for the people,” says Jacqui Aubert, one of the two founders of Ashland Folk Collective. She and her partner, Dan Sherrill, who also works for the Oregon Shakespeare Festival, began the collective in 2017. The focus is on “progressive” folk defined as original music by singer/songwriters predominantly.
In this era of parroted programming and ad interruptions, community-powered KSKQ Radio (89.5 FM and 94.1 FM) is media for the people, by the people, giving listeners a breath of fresh airwaves. “The radio station is totally community run, and holds the same non-commercial educational (NCE) license as JPR (Jefferson
Thanks to the inauguration of Record Store Day in 2008, vinyl has enjoyed a renaissance in popularity and in sales around the world. Record sales have been up, consumers have a desire to listen to music on a record player again, and vinyl pressings are becoming more and more exciting.
“I always say, hearing a symphony is like reading a novel,” says Conductor and Music Director of Rogue Valley Symphony Martin Majkut. Following that line of logic, the 50-year-old symphony has produced and performed tomes of music. Born in Bratislava, Czechoslovakia, he says music was “sort of omnipresent.” He learned
How does a 22-year old who records his first album (Pangaea) in his basement and bedroom singing and playing acoustic guitar make it to the big time? Ask Jason McCue. He may not be at the “big time” yet, but he is on his way. This young man’s lyrics are
Wearing dark sunglasses and puffing his cheeks out like a kid carrying a secret stash of large gumballs, Troy “Trombone Shorty” Andrews makes playing trombone look cool and easy. And when his trombone-playing syncopates with the saxophone, popping and locking is no problem for anyone who wants to dance. But
David Ramirez has a-helluva-a-lot to say. Seventeen million streams on Spotify and counting, to be exact. The singer from Austin, Texas does not write lyrics that are subtle—more like a call for authenticity in a faux culture. One fan calls a recent show an “emotionally raw performance.” Ramirez’s songs do
If traditional rock music and alternative rock music had a baby, it would be independent rock—indie rock, for short. First coined in the 1970s, the term “indie rock” has evolved from its initial description of the bands’ independent labels (and was also synonymous with alternative rock through the 80s) to
Singing is like breathing for Ann Wilson. When she belts out lyrics to The Who’s “Don’t Get Fooled Again” or Lesley Gore’s “You Don’t Own Me” or Heart’s “Barracuda” there is power, courage and passion exhaled. “The stage is where I have always lived; where I’ve expressed my deepest emotions
While everyone has the band they love and would go see them perform in a back alley with garbage trucks rumbling by, venue can be almost as important as the music being played. The growing house concert movement is a sure sign that audiences want to be closer to the